Paper
Hand-made acid-free paper is cut into sheets of 40 54 cm., and is utilised for the creation of the Aqiq Qur'an for its durability and resistance against adverse effects of the atmosphere. After being dyed by tea, papers were smeared with starch mucilage, and after drying, they were polished and smoothened repeatedly by agate stone (aqiq or achate). Papers were then scattered with gold dust, before being written upon, so that the gold particles create a pleasant surface, comfortable to the eyes.
Colours
About forty natural or chemical dyes, in original form, or in composite, have been used in the Aqiq Qur'an. This includes madder, lapis lazuli, cochineal, titanous and zincky white powder (cat's eye), carbon black, cinnabar, pomegranate, walnut shield, condensed tea mucilage, turmeric, acetate of copper (verdigris), indigo, saffron, red lead, henna, iron dyestuff, gold, silver, brass, copper and burned copper.These features have rendered such a spiritual beauty and grandeur, that the Aqiq Qur'an can be recognised as a turning point in the history of the Islamic book beautification art. |